SADiE

SADiE (they/she) is an artist, writer, and queer theologian living and creating on Treaty 3 and Haldimand Treaty land near O:se Kenhionhata:tie (Willow River) – a place colonially known as Kitchener-Waterloo, Ontario, Canada.

By daylight, they work as a Program Coordinator at CAFKA – Contemporary Art Forum Kitchener + Area and study at Conrad Grebel University College, University of Waterloo.

By moonlight, they write poetry and make assemblage sculptures that incorporate artistic techniques from ceramics, textiles, print-making, and painting, with found or foraged elements.

Their emergent studio practice, Otherworlds, brings together art work, creative facilitation, research, design, strategy, and mediation to guide organizations or communities in transition through imagining, creating, and sustaining different futures for themselves.

Her work draws from past and present lives, inherited and acquired lineages in spirituality, technology, political economy, (de)construction, and excavation to question the origins of energy and distributions of power within relational structures. Sadie is happiest looking at the moon, finding things on the curb, holding a warm cup of coffee while chatting, and playing side-by-side.

What's In The Domes?

SADiE

There are many narratives that you could piece together about what happened here, what is happening here, and what can happen here, next.

One narrative is this; over the past six decades, our decisions about how to plan and make a home were guided by a cosmology of economic development that relies on outward intervention. It makes a god of capital and a saviour of technology.

New Hypermedia: Subverting Big Tech

Sam Nabi Aaron El Sabrout Ryan Cassidy SADiE

hypermedia (noun): a term first used in 1965 by Ted Nelson to imagine digital media that is interconnected in complex and non-linear ways. Editor's NoteAt the turn of the millennium, the early Int...